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A CLASSIC 1930s COMIC STRIP: The New Yorkers first art editor satirizes the petit bourgeoisie in these stylishly eccentric cartoons with echoes of Cheever and Wodehouse.
Rea Irvin was The New Yorkers first art editor and creator of the magazines iconic mascot, the butterfly enthusiast Eustace Tilly. In 1930, he ventured into new territory with the comic strip The Smythes. The Smythescomprised of John, Margie, and their two forgettable children, Willie and Maudieare a niceish suburban family, restless in their social stature, and eager to climb a sometimes wobbly social ladder (a ladder made even wobblier by the Great Depression). Irvins distinct, graceful line renders the Smythes in all their glory and hilarity as they navigate ill-fated dinner parties with pompous socialites, fend off robbers dressed as Santa, and get chased out of restaurants by cleaver-wielding chefs.
With flavors of the upper-crust humor of Wodehouse and the suburban surrealism of Cheever, The Smythes drolly captures the joys, heartbreaks, and humiliations of being in a family. Handpicked by acclaimed cartoonists R. Kikuo Johnson and Dash Shawwho also penned the introduction togetherthis new selection of Smythes strips also includes an afterword by comics historian Caitlin McGurk that sheds new light on Irvins work and life. An unsung masterpiece of cartooning, The Smythes is finally available to a new generation of readers ready to marvel at the full reach of Irvins artistic abilities.
