Carte Time in Television Narrative Melissa Ames

Time in Television Narrative

Exploring Temporality in Twenty-First-Century Programming

Autor: Melissa Ames
Limbă: engleză
Legare: Carte broșată
Disponibilitate: În depozitul extern
Expediem în 10-18 zile
162.80 lei
This collection analyzes twenty-first-century American television programs that employ temporal and...

Informații despre carte

Autor
Limbă
engleză
Legare
Carte - Carte broșată
Publicat
2014
Pagini
337
EAN
9781628461732
ISBN
162846173X
Enbook ID
04840886
Greutate
381
Dimensiuni
150 x 210 x 22

Descriere completă

This collection analyzes twenty-first-century American television programs that employ temporal and narrative experimentation. These shows play with time, slowing it down to unfold narrative through time retardation and compression. They disrupt the chronological flow of time itself, using flashbacks and insisting that viewers be able to situate themselves in both the present and the past narrative threads. Although temporal play has existed on the small screen prior to the new millennium, never before has narrative time been so freely adapted in mainstream television. The essayists offer explanations for not only the frequency of time-play in contemporary programming, but also the implications of its sometimes disorienting presence. Drawing upon the fields of cultural studies, television scholarship, and literary studies, as well as overarching theories concerning postmodernity and narratology, "Time in Television Narrative" offers some critical suggestions. The increasing number of television programs concerned with time may stem from any and all of the following: recent scientific approaches to quantum physics and temporality; new conceptions of history and post history; or trends in late-capitalistic production and consumption, in the new culture of instantaneity, or in the recent trauma culture amplified after the September 11 attacks. In short, these televisual time experiments may very well be an aesthetic response to the climate from which they derive. These essays analyze both ends of this continuum and also attend to another crucial variable: the television viewer watching this new temporal play.

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