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Theorizing the Local

Music, Practice, and Experience in South Asia and Beyond

Autor: Richard Wolf

Limbă:

Legare: Copertă tare

Editura: Oxford University Press Inc

Disponibilitate: La editor doar la comandă

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Over the past four decades, the spectacular, "globalized" aspects of cultural circulation have recei...

Informații despre carte

Autor

Richard Wolf

Limbă

engleză

Legare

Carte - Copertă tare

Publicat

2009

Pagini

344

EAN

9780195331370

ISBN

0195331370

Enbook ID

04517877

Editura

Oxford University Press Inc

Greutate

638

Dimensiuni

165 x 235 x 24

Descriere completă

Over the past four decades, the spectacular, "globalized" aspects of cultural circulation have received the majority of scholarly - and consumer - attention, particularly in the study of South Asian music. Ethnomusicologists increasingly cast their studies in transnational terms, in part to take account of these emerging, globally mediated forms and their localized counterparts. As a result, a broad range of community-based and other locally-focused performance traditions in the regions of South Asia have remained relatively unexplored. markets have fostered the development of an aesthetic based The authors of Theorizing the Local provide a challenging and compelling counter-perspective to the overwhelming attention paid to the "globalized," arguing for the sustained value of comparative microstudies which are not concerned primarily with the flow of capital and neoliberal politics. What does it mean, they ask, for musical activities to be local in an increasingly interconnected world? What are the motivations for theoretical thought, and how are theoretical formulations instigated by the needs of performers, agents promoting regional identity, efforts to sustain or counter gender conventions, or desires to compete? To what extent can theoretical activity be localized to the very acts of making music, interacting, and composing? intriguing-often music sharing common melodic, harmonic, or Theorizing the Local offers unusual glimpses into rich musical worlds of south and west Asia, worlds which have never before been presented in a single volume. The authors cross the traditional borders of scholarship and region, exploring in unmatched detail a vast array of musical practices and significant ethnographic discoveries extending from Nepal to India, India to Sri Lanka, Pakistan to Iran. Enriched by audio and video tracks on the extensive companion website, Theorizing the Local represents an important and necessary addition to the study of South Asian musical traditions and a broader understanding of 21st century music of the world.