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Succeeding King Lear

Literature, Exposure, and the Possibility of Politics

Autor: Emily Sun

Limbă:

Legare: Carte broșată

Editura: Fordham University Press

Disponibilitate: În depozitul extern

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169.06 lei

This book investigates Shakespeare's King Lear and its originative power in modern literature with s...

Informații despre carte

Autor

Emily Sun

Limbă

engleză

Legare

Carte - Carte broșată

Publicat

2012

Pagini

176

EAN

9780823232819

ISBN

0823232816

Enbook ID

04941083

Editura

Fordham University Press

Greutate

272

Dimensiuni

153 x 228 x 13

Descriere completă

This book investigates Shakespeare's King Lear and its originative power in modern literature with specific attention to the early work of English Romantic poet William Wordsworth and to the American writer James Agee and photographer Walker Evans's 1941 collaboration, Let Us Now Praise Famous Men. It examines how these later readers return to the play to interrogate emphatically the question of the relations between literature and politics in modernity and to initiate in this way their own creative trajectories. King Lear opens up a literary genealogy or history of successors, at the heart and origin of which, the author claims, is a crisis of sovereignty. The tragedy famously begins with the King's decision to give up his throne and divide the kingdom prior to his demise. In bringing to light the assumptions behind this logic, and in dramatizing its disastrous consequences, the play performs an implicit analysis and critique of sovereignty as the guiding principle of political life and gestures, beyond sovereignty, towards the possibility of a new aesthetic and political future. The question of the relations between literature and politics does not only open up immanently or internally within King Lear, this book argues, but is also that which occasions a literary history of readers who return to the play as to an originary locus for dealing with a problem. Among such successors are Wordsworth in the 1790s after the French Revolution and Agee and Evans during the Depression in the 1930s, whose engagements with Lear, this book argues, were crucial to their development of new artistic means towards creating a democratic literature. In bringing British Romanticism and American modernism into contact with their literary political origins in Shakespeare, this book offers an original way of thinking literary history and a new approach to the question of the relations between literature and politics in modernity. In its interdisciplinary and cross-period scope, it will appeal to students and scholars of Shakespeare, Romanticism, modernism, literary theory, as well as literature and photography.

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Succeeding King Lear

Literature, Exposure, and the Possibility of Politics

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