Carte Strangers Ekow Eshun

Strangers

On black masculinity

Autor: Ekow Eshun
Limbă: engleză
Legare: Copertă tare
Editura: Penguin Books
Disponibilitate: În depozitul extern
Expediem în 3-5 zile
115.40 lei
A Times Literary Supplement Book of the Year 2024: 'Mesmerising, moving, beautiful'Richly imaginativ...

Informații despre carte

Autor
Limbă
engleză
Legare
Carte - Copertă tare
Publicat
2024
Pagini
288
EAN
9780241472026
Enbook ID
44628384
Editura
Greutate
614
Dimensiuni
156 x 240

Descriere completă

A Times Literary Supplement Book of the Year 2024: 'Mesmerising, moving, beautiful'


Richly imaginative and powerfully empathetic, an intimate portrait of five remarkable Black men, and a meditation on race, estrangement and the search for home

'Thrilling and ingenious, propulsive and genre-defying: The Strangers is an outstanding book' Bernardine Evaristo

'Luminous and extraordinary... This book will be referenced for years to come' Lemn Sissay

In the western imagination, a Black man is always a stranger. Outsider, foreigner, intruder, alien. One who remains associated with their origins irrespective of how far they have travelled from them. One who is not an individual in their own right but the representative of a type.

What kind of performance is required for a person to survive this condition? And what happens beneath the mask?

In answer, Ekow Eshun conjures the voices of five very different men. Ira Aldridge: nineteenth century actor and playwright. Matthew Henson: polar explorer. Frantz Fanon: psychiatrist and political philosopher. Malcolm X: activist leader. Justin Fashanu: million-pound footballer. Each a trailblazer in his field. Each haunted by a sense of isolation and exile. Each reaching for a better future.

Ekow Eshun tells their stories with breathtaking lyricism and empathy, capturing both the hostility and the beauty they experienced in the world. And he locates them within a wider landscape of Black art, culture, history and politics which stretches from Africa to Europe to North America and the Caribbean. As he moves through this landscape, he maps its thematic contours and fault lines, uncovering traces of the monstrous and the fantastic, of exile and escape, of conflict and vulnerability, and of the totemic central figure of the stranger.

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