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Carte Staging History Astrid Oesmann

Staging History

Brecht's Social Concepts of Ideology

Autor: Astrid Oesmann
Limbă: engleză
Legare: Copertă tare
Editura: State University of New York Press
Disponibilitate: șansă 50%
Şanse de a obține acest titlu
588.90 lei
"Staging History analyzes the commitment to social change present in the theatrical and theoretical...

Informații despre carte

Autor
Astrid Oesmann
Limbă
engleză
Legare
Carte - Copertă tare
Publicat
2005
Pagini
240
EAN
9780791463857
Enbook ID
04702308
Editura
State University of New York Press
Greutate
449
Dimensiuni
160 x 237 x 20

Descriere completă

"Staging History analyzes the commitment to social change present in the theatrical and theoretical writings of Bertolt Brecht's. Challenging previous notions, Astird Oesmann argues that Brecht's work was less dependent on Marxist ideology than is often assumed and that his work should be seen as a coherent whole. Brecht used the stage to release political ideas into experimental spaces in which actors and spectators could explore the relationships between abstract thought and concrete social life. Oesmann places Brecht within the context of the major leftist theorists of the twentieth century, particularly Adorno, Benjamin, and LukC cs, focusing on their discussions of realism, aesthetics, natural history, and mimesis. Oesmann elaborates upon the vision of a "counter-public sphere" in a number of Brecht's theoretical texts and plays--"especially "The Three Penny Trial and Fear and Misery of the Third Reich--" that present the emergence of such a sphere in the face of fascism. By exploring Brecht's theoretical writings, selected plays, and recently published theatrical fragments, Oesmann reveals unpredictable constructions of history and surprising distinctions among various political ideologies, while also proving that Brecht remains vitally relevant to a "post-communist" world.

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