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Carte Sleaze Artists Jeffrey Sconce

Sleaze Artists

Cinema at the Margins of Taste, Style, and Politics

Autor: Jeffrey Sconce
Limbă: engleză
Legare: Carte broșată
Editura: Duke University Press
Disponibilitate: În depozitul extern
Expediem în 9-15 zile
173.43 lei
Bad Girls Go to Hell. Cannibal Holocaust. Eve and the Handyman. Continuing film lovers' ongoing conv...

Informații despre carte

Autor
Jeffrey Sconce
Limbă
engleză
Legare
Carte - Carte broșată
Publicat
2007
Pagini
352
EAN
9780822339649
ISBN
0822339641
Enbook ID
04938508
Editura
Duke University Press
Greutate
512
Dimensiuni
157 x 235 x 21

Descriere completă

Bad Girls Go to Hell. Cannibal Holocaust. Eve and the Handyman. Continuing film lovers' ongoing conversation about the low, the bad, and the sleazy face of cinema, Sleaze Artists brings together film scholars with a shared interest in the questions posed by disreputable movies and suspect cinema. They examine the ineffable quality of "sleaze" in relation to a range of issues, including the production realities of low-budget exploitation pictures and the ever-shifting terrain of reception and taste. Writing about horror, exploitation, and sexploitation films, the contributors delve into topics ranging from the place of the "Aztec horror film" in debates about Mexican national identity to a cycle of 1960s films exploring homosexual desire in the military. One contributor charts the distribution saga of Mario Bava's film Lisa and the Devil (1973) through the highs and lows of art cinema, fringe television, grindhouse circuits, and connoisseur DVD markets. Another offers a new perspective on the work of Doris Wishman, the New York housewife turned sexploitation director of the 1960s who has become a cult figure in bad-cinema circles over the past decade. Other contributors analyze the relation between image and sound in sexploitation films and Italian horror movies, the advertising strategies adopted by sexploitation producers during the early 1960s, the relationship between art and trash in Todd Haynes' oeuvre, and the ways that the Friday the 13th series complicates the distinction between "trash" and "legitimate" cinema. The volume closes with an essay on why cinephiles love to hate the movies.

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