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Uncovers the workings of sovereign power in Shakespeares history plays
Presents a sustained, formalist reading of Shakespeares history playsReads Shakespeares history plays for their contribution to political thought, and to theories of sovereigntyDelivers a thorough and wide-ranging formal analysis of Shakespearean body parts, both literal and figurativePresents a particular view of Shakespeares language-use as "baroque", its convolutions contributing to complex articulations of sovereign willCapitalises on current theories of authorship in relation to the history plays in order to assess Shakespeares particular contribution to how sovereignty is imagined in the late sixteenth century
This book provides a sustained, formalist reading of the multiple body parts that litter the dialogue and action of Shakespeares history plays, including Henry V, Richard III, Richard II, King John and Henry IV. With a starting point in literary critical analyses of these dislocated bodies, the book tracks Shakespeares relentless pursuit of a specific political question: how does human flesh, blood and bone relate to sovereignty? Griffiths advances our understanding of how human bodies are captured by and escape the grip of political systems.
