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Picturing Ourselves

Photography and Autobiography

Autor: Linda Rugg

Limbă:

Legare: Copertă tare

Editura: The University of Chicago Press

Disponibilitate: În depozitul extern în cantități mici

Expediem în 13-18 zile

567.59 lei

Photography has transformed the way we picture ourselves. Although photographs seem to "prove" our e...

Informații despre carte

Autor

Linda Rugg

Limbă

engleză

Legare

Carte - Copertă tare

Publicat

1997

Pagini

293

EAN

9780226731469

Enbook ID

04548968

Editura

The University of Chicago Press

Greutate

648

Dimensiuni

413 x 227 x 22

Descriere completă

Photography has transformed the way we picture ourselves. Although photographs seem to "prove" our existence at a given point in time, they also demonstrate the impossibility of framing our multiple and fragmented selves. As the author of this study aims to show, photography's double-take on self-image mirrors the concerns of autobiographers, who see the self as simultaneously divided (in observing/being) and unified by the autobiographical act. The book tracks photography's impact on the formation of self-image through the study of four literary autobiographers concerned with the transformative power of photography. Obsessed with self-image, Mark Twain and August Strindberg both attempted (unsuccessfully) to integrate photographs into their autobiographies. While Twain encouraged photographers, he was wary of fakery and kept a fierce watch on the distribution of his photographic image. Strindberg, believing that photographs had occult power, preferred to photograph himself. Because of their experiences under National Socialism, Walter Benjamin and Christa Wolf feared the dangerously objectifying power of photographs and omitted them from their autobiographical writings. Yet Benjamin used them in his photographic conception of history, which had its testing ground in his often-ignored "Berliner Kindheit um 1900". And Christa Wolf's narrator in "Patterns of Childhood" attempts to reclaim her childhood from the Nazis by reconstructing mental images of lost family photographs. Confronted with multiple and conflicting images of themselves, all four of these writers are torn between the knowledge that texts, photographs, and indeed selves are haunted by undecidability and the desire for the returned glance of a single self.