New Soviet Man

Gender and Masculinity in Stalinst Soviet Cinema

Autor: John Haynes

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Editura: MANCHESTER UNIVERSITY PRESS

Disponibilitate: În depozitul extern

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Cinema has long been recognised as the privileged bridge between Soviet ideologies and their mass pu...

Informații despre carte

Autor

John Haynes

Limbă

engleză

Legare

Carte - Carte broșată

Publicat

2003

Pagini

224

EAN

9780719062384

ISBN

0719062381

Enbook ID

04647584

Editura

MANCHESTER UNIVERSITY PRESS

Greutate

286

Dimensiuni

275 x 141 x 21

Descriere completă

Cinema has long been recognised as the privileged bridge between Soviet ideologies and their mass public. Recent feminist-oriented work has drawn out the symbolic role of women in Soviet culture, but, not surprisingly, men too were expected to play their part. In this first full-length study of masculinity in Stalinist Soviet cinema, John Haynes examines the 'New Soviet Man' not only as an ideal of masculinity presented to Soviet cinemagoers, but also, precisely, as a man in his specific, and hotly debated social, cultural and political context. A detailed analysis of Stalinist discourse sets the stage for an examination of the imagined relationship between the patriarch Stalin and his 'model sons' in the key genre cycles of the era: from the capital to the collective farms, and ultimately to the very borders of the Soviet state. Informed by contemporary and present day debates over the social and cultural significance of cinema and masculinity, New Soviet Man draws on a range of theoretical and comparative material to produce engaging and accessible readings accounting for both the appeal of, and the inherent potential for subversion within, films produced by the Stalinist culture industry. New Soviet Man will be widely read by students and specialists in the fields of film studies, Russian and Soviet studies, gender and modern European history.

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New Soviet Man

Gender and Masculinity in Stalinst Soviet Cinema

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