Carte Hell in High Heels Ashleigh Coldicutt

Hell in High Heels

How popular culture both shapes and reflects glamour as a condition of labour in fashion industry workers

Limbă: engleză
Legare: Carte broșată
Disponibilitate: În depozitul extern
Expediem în 8-11 zile
115.21 lei
In the midst of a number of popular culture representations of glamour in the fashion industry, The...

Informații despre carte

Limbă
engleză
Legare
Carte - Carte broșată
Publicat
2018
Pagini
80
EAN
9786139828456
Enbook ID
19688355
Greutate
127
Dimensiuni
152 x 229 x 5

Descriere completă

In the midst of a number of popular culture representations of glamour in the fashion industry, The Devil Wears Prada stands apart as a film that encapsulates the good, the bad and the ugly. It deals with the lure of a glamorous career, the pressures to conform to workplace norms, and what the impact is on young fashion workers. Similarly, The September Issue presents a 'voyeuristic' perspective of the workings of the American edition of Vogue magazine. As a young fashion worker myself, I was interested in including my own experiences in the industry, and finding out whether these are reflected in the popular culture representations. The purpose of this research is to examine how popular culture both shapes and reflects glamour as a condition of labour in fashion industry workers. The research is carried out through an adaptation of Critical Incident Theory (CIT), using theory developed since its creation by Flanagan (1954), moving forward to more recent ideas of CIT posed by Gremler (2004), among others.

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