Carte Embattled Shadows Peter Morris

Embattled Shadows

A History of Canadian Cinema, 1895-1939

Autor: Peter Morris
Limbă: engleză
Legare: Carte broșată
Disponibilitate: șansă 50%
Şanse de a obține acest titlu
203.72 lei
A history of Canadian film-making in the years before the establishment of the National Film Board o...

Informații despre carte

Autor
Limbă
engleză
Legare
Carte - Carte broșată
Publicat
1992
Pagini
368
EAN
9780773503236
ISBN
0773503234
Enbook ID
04916869
Greutate
406

Descriere completă

A history of Canadian film-making in the years before the establishment of the National Film Board of Canada in 1939. It begins with an account of the travelling showmen who brought the movies to large and small communities across the country, and discusses the films produced in Canada before World War I. In the atmosphere of heightened nationalism during and after the war there was a determined attempt to establish a film industry. Peter Morris chronicles its occasional successes while, at the same time, examining the reasons behind its ultimate failure - using the colourful career of the independent producer Ernest Shipman ("Ten Percent Ernie") as a particular reference. He goes on to describe the establishment and eventual collapse of both the federal and Ontario governments' Motion Picture Bureaus. By the thirties, with the connivance of the Canadian government, Canadian feature film production had deteriorated to the point of turning out "quota" films from the Hollywood mould. Other Canadian film producers concentrated their efforts on short productions, mostly in government or commercial companies such as Associated Screen News of Montreal. The works of Gordon Spalding, Bill Oliver, and Albert Tessier are discussed in this context. Morris concludes with the founding of the National Film Board which, under the dynamic guidance of John Grierson, was to breathe new life into a moribund industry. In a postscript Morris explores some of the reasons for the unique development of Canadian film making - particularly its use of natural settings and documentary when virtually the rest of the world's industry was following the Hollywood pattern of studio location and fictional plots and examines the relationship of the early industry to later developments in Canadian film making. At a time when Canada's cultural industries are struggling to survive in the wake of the Free Trade Agreement with the United States and under the threat of Free Trade with Mexico, this text should be useful reading.

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