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Carte Durational Cinema Walsh Michael Walsh

Durational Cinema

A Short History of Long Films

Autor: Walsh Michael Walsh
Limbă: engleză
Legare: Carte broșată
Editura: Springer Nature B.V.
Disponibilitate: În depozitul extern
Expediem în 10-18 zile
288.66 lei
This book argues for a durational cinema that is distinct from slow cinema, and outlines the history...

Informații despre carte

Autor
Walsh Michael Walsh
Limbă
engleză
Legare
Carte - Carte broșată
Publicat
2022
Pagini
304
EAN
9783030760939
Enbook ID
43411195
Editura
Springer Nature B.V.
Greutate
401
Dimensiuni
148 x 210

Descriere completă

This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s. Figures studied include Andy Warhol, Ken Jacobs, Chantal Akerman, Marguerite Duras, Claude Lanzmann, James Benning, Kevin Jerome Everson, Lav Diaz, and Wang Bing.Durational cinema is predominantly minimal, but has from the beginning also included a more encompassing or encyclopedic kind of filmmaking. Durational cinema is characteristically representational, and converges on certain topics (the Holocaust, deindustrialization, the experience of the working class and other marginalized people), but has no one meaning, signifying differently at different moments and in different hands. Warhol's durational cinema of subtraction is quite different from Jacobs's durational cinema of socialdisgust, while Lav Diaz' durational sublime is quite different from Kevin Jerome Everson's unblinking studies of African-American working people.

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