Deleuze and Cinema

The Aesthetics of Sensation

Autor: Barbara M. Kennedy

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Legare: Copertă tare

Editura: EDINBURGH UNIVERSITY PRESS

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Film theory has for so long been concerned with sociological, empirical and psychoanalytic approache...

Informații despre carte

Autor

Barbara M. Kennedy

Limbă

engleză

Legare

Carte - Copertă tare

Publicat

2000

Pagini

240

EAN

9780748611348

Enbook ID

04673510

Editura

EDINBURGH UNIVERSITY PRESS

Greutate

539

Dimensiuni

156 x 234 x 24

Descriere completă

Film theory has for so long been concerned with sociological, empirical and psychoanalytic approaches that its place within our aesthetic sensibilities seems to have been forgotten. Deleuze and Cinema aims to bring back debates about film as an art form - as part of an aesthetic process which incorporates the 'bodies' of our material, technological and molecular worlds. While much film theory has looked at desire in terms of (visual and spectator) pleasure, Barbara Kennedy suggests, in this provocative new study, that these different perceptions of 'body' are responsible, as well as the brain/mind, for the ways in which visual elements of colour, movement, rhythm and sensation are acquired within, through and beyond our consciousness. Film is visceral, vital and dynamic, and wider frameworks of understanding are needed to explain these aesthetic resonances. Deleuze and Cinema asks: how can we begin to understand the cinematic experience as one of material capture, processuality and movement - as opposed to a spectator/text relationship - where desire and pleasure are part of a complex 'aesthetics of sensation'? Through discussions of Orlando, The English Patient, Romeo and Juliet, Strange Days and Leon the book offers a new and creative collusion between Deleuzian philosophy - specifically Deleuze's ideas about desire, pleasure, sensation, affect and 'becoming-woman' - and contemporary film studies.

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Deleuze and Cinema

The Aesthetics of Sensation

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