Carte Decadences Paul Fox

Decadences

Morality & Aesthetics in British Literature

Limbă: engleză
Legare: Carte broșată
Disponibilitate: În depozitul extern
Expediem în 8-11 zile
203.50 lei
This collection seeks to examine the intersections of aesthetics and morality, of what Decadence mea...

Informații despre carte

Limbă
engleză
Legare
Carte - Carte broșată
Publicat
2014
Pagini
430
EAN
9783898215732
ISBN
9783898215732
Enbook ID
06427929
Greutate
552
Dimensiuni
149 x 209 x 24

Descriere completă

This collection seeks to examine the intersections of aesthetics and morality, of what Decadence means to art and society at various moments in British literature. Both artistic and social values are inflected by their histories, and, as time passes, so the definition of what it means to be D/decadent alters. The very ideas of the decline from a higher standard, of social malaise, of aesthetic ennui, all presume certain facts about the past, the present, and the linear nature of time itself. To reject the past as a given, and to relish the subtleties of present nuance, is the beginning of Decadence. Purportedly decadent artists focused upon the fleeting present, ascribed value to experiencing the aesthetic moment in its purest form, and it was precisely due to this focus upon living in, and for, the moment that society often responded by expressing moral contempt for the perceived hedonism of art. The aesthetic rejection of contemporary value added to the conflict between the literary and social inflections of Decadent interpretation. The truly decadent was condemned by artists as the stranglehold society maintained on individual interpretation and the interpretation of oneself. This conflict underlies the range of essays in the collection. This revised and expanded volume examines the intersections of aesthetics and morality and asks what Decadence means to art and society at various moments in British literature. As time passes, the definition of what it takes to be D/decadent changes. The decline from a higher standard, social malaise, aesthetic ennui all these ideas presume certain facts about the past, the present, and the linear nature of time itself. To reject the past as a given, and to relish the subtleties of present nuance, is the beginning of Decadence.§The conflict underlying the contributions to this collection is that of society`s moral contempt vis-a-vis the focus on the fleeting present on part of the purportedly decadent artists; who in turn thought the truly decadent to be the stranglehold society maintained on individual interpretation and the interpretation of oneself.

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