Carte Critical Moves Randy Martin

Critical Moves

Dance Studies in Theory and Politics

Autor: Randy Martin
Limbă: engleză
Legare: Carte broșată
Disponibilitate: În depozitul extern
Expediem în 9-15 zile
200.59 lei
In "Critical Moves" Randy Martin sets in motion an inquiry into the relationship between dance, poli...

Informații despre carte

Autor
Limbă
engleză
Legare
Carte - Carte broșată
Publicat
1998
Pagini
280
EAN
9780822322191
ISBN
0822322196
Enbook ID
04937000
Greutate
446
Dimensiuni
156 x 238 x 22

Descriere completă

In "Critical Moves" Randy Martin sets in motion an inquiry into the relationship between dance, politics, and cultural theory. Drawing on his own experiences as a dancer as well as his observations as a cultural critic and social theorist, Martin illustrates how the study and practice of dance can reanimate arrested prospects for progressive politics and social change. From experimental and concert dance to more popular expressions, Martin engages a range of performances and demonstrates how a critical reflection on dance helps promote fluency in the language of mobilisation that political theory alludes to yet rarely speaks. He explores how Bill T. Jones' "Last Supper at Uncle Tom's Cabin/The Promised Land" defies attempts to separate social ideas from aesthetic concerns and celebrates multiculturalism in the face of a singular national culture; he studies the choreography in rapper Ice Cube's video "Wicked", which confronts radicalised depictions of violent crime; and he discusses how racial difference is negotiated by analysing a hip hop aerobics class in a non-black environment. Revealing how mastery of modern dance technique teaches an individual body to express cultural difference and display its intrinsic diversity, "Critical Moves" concludes with a reflection on the contribution dance studies can make to other fields within cultural studies and social sciences. As such it becomes an occasion to rethink the terms of history and agency, multiculturalism and nationalism, identity and political economy. This book will appeal not only to scholars and practitioners of dance, but also to a wide cross-section of people concerned with the study of political theory and the history of social movements.

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