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Cinema and Sensation

French Film and the Art of Transgression

Autor: Martine Beugnet

Limbă:

Legare: Copertă tare

Editura: EDINBURGH UNIVERSITY PRESS

Disponibilitate: La editor doar la comandă

Expediem în 17-26 zile

699.94 lei

This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking...

Informații despre carte

Autor

Martine Beugnet

Limbă

engleză

Legare

Carte - Copertă tare

Publicat

2007

Pagini

208

EAN

9780748620425

ISBN

0748620427

Enbook ID

04673944

Editura

EDINBURGH UNIVERSITY PRESS

Greutate

172

Dimensiuni

156 x 234 x 25

Descriere completă

This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses. France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema's sensory impact and transgressive nature: Adieu; A ma soeur; Baise-moi; Beau Travail; La Blessure; La Captive; Dans ma peau; Demonlover; L'Humanite; Flandres; L'Intrus; Les Invisibles; Lady Chatterley; Lecons de tenebres; Romance; Sombre; Tiresia; Trouble Every Day; Twentynine Palms; Vendredi soir; La Vie nouvelle; Wild Side; Zidane, un portrait du XXIeme siecle. These films, amongst others, typify a willingness to explore cinema's unique capacity to move us both viscerally and intellectually. Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream cinema. Her book draws on the writings of the likes of Deleuze, Merleau-Ponty and Bataille, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques and motifs which allows us to engage with the works as material events and as thinking processes. In turn, she demonstrates how the films, envisaged as forms of embodied thought, offer alternative ways of approaching those questions that are at the heart of today's most burning socio-cultural debates: from the growing supremacy of technology, to globalisation, exile and exclusion, these are the issues that appear embedded here in the very texture of images and sounds.

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Cinema and Sensation

French Film and the Art of Transgression

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