Carte Attunement Alberto Perez-Gomez

Attunement

Architecture Meaning after the Crisis of Modern Science

Limbă: engleză
Legare: Carte broșată
Editura: MIT Press Ltd
Disponibilitate: În depozitul extern
Expediem în 8-11 zile
221.55 lei
Architecture remains in crisis, its social relevance lost between the two poles of formal innovation...

Informații despre carte

Limbă
engleză
Legare
Carte - Carte broșată
Publicat
2016
Pagini
304
EAN
9780262528641
ISBN
0262528649
Enbook ID
02933305
Editura
Greutate
500
Dimensiuni
306 x 229 x 24

Descriere completă

Architecture remains in crisis, its social relevance lost between the two poles of formal innovation and technical sustainability. In Attunement, Alberto Perez-Gomez calls for an architecture that can enhance our human values and capacities, an architecture that is connected -- attuned -- to its location and its inhabitants. Architecture, Perez-Gomez explains, operates as a communicative setting for societies; its beauty and its meaning lie in its connection to human health and self-understanding. Our physical places are of utmost importance for our well-being. Drawing on recent work in embodied cognition, Perez-Gomez argues that the environment, including the built environment, matters not only as a material ecology but because it is nothing less than a constituent part of our consciousness. To be fully self-aware, we need an external environment replete with meanings and emotions. Perez-Gomez views architecture through the lens of mood and atmosphere, linking these ideas to the key German concept of Stimmung -- attunement -- and its roots in Pythagorean harmony and Vitruvian temperance or proportion. He considers the primacy of place over space; the linguistic aspect of architecture -- the voices of architecture and the voice of the architect; architecture as a multisensory (not pictorial) experience, with Piranesi, Ledoux, and Hejduk as examples of metaphorical modeling; and how Stimmung might be put to work today to realize the contemporary possibilities of attunement. The usual history of architecture is a grand narrative of soaring monuments and heroic makers. But it is also a false narrative in many ways, rarely acknowledging the personal failures and disappointments of architects. In Bleak Houses, Timothy Brittain-Catlin investigates the underside of architecture, the stories of losers and unfulfillment often ignored by an architectural criticism that values novelty, fame, and virility over fallibility and rejection.

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