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After the Beautiful

Name: After the Beautiful
Brand: The University of Chicago Press
SKU: 9780226325583
Price: 141.57 RON
Availability: InStock

Hegel and the Philosophy of Pictorial Modernism

Autor: Robert B. Pippin

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Legare: Carte broșată

Editura: The University of Chicago Press

Disponibilitate: În depozitul extern

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In his Berlin lectures on fine art, Hegel argued that art involves a unique form of aesthetic intell...

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Autor

Robert B. Pippin

Limbă

engleză

Legare

Carte - Carte broșată

Publicat

2015

Pagini

176

EAN

9780226325583

Enbook ID

09374502

Editura

The University of Chicago Press

Greutate

264

Dimensiuni

229 x 155 x 35

Descriere completă

In his Berlin lectures on fine art, Hegel argued that art involves a unique form of aesthetic intelligibility--the expression of a distinct collective self-understanding that develops through historical time. Hegel's approach to art has been influential in a number of different contexts, but in a twist of historical irony Hegel would die just before the most radical artistic revolution in history: modernism. In "After the Beautiful," Robert B. Pippin, looking at modernist paintings by artists such as Edouard Manet and Paul Cezanne through Hegel's lens, does what Hegel never had the chance to do. While Hegel could never engage modernist painting, he did have an understanding of modernity, and in it, art--he famously asserted--was "a thing of the past," no longer an important vehicle of self-understanding and no longer an indispensable expression of human meaning. Pippin offers a sophisticated exploration of Hegel's position and its implications. He also shows that had Hegel known how the social institutions of his day would ultimately fail to achieve his own version of genuine equality, a mutuality of recognition, he would have had to explore a different, new role for art in modernity. After laying this groundwork, Pippin goes on to illuminate the dimensions of Hegel's aesthetic approach in the path-breaking works of Manet, the "grandfather of modernism," drawing on art historians T. J. Clark and Michael Fried to do so. He concludes with a look at Cezanne, the "father of modernism," this time as his works illuminate the relationship between Hegel and the philosopher who would challenge Hegel's account of both modernity and art--Martin Heidegger.Elegantly inter-weaving philosophy and art history, "After the Beautiful" is a stunning reassessment of the modernist project. It gets at the core of the significance of modernism itself and what it means in general for art to have a history. Ultimately, it is a testament, via Hegel, to the distinctive philosophical achievements of modernist art in the unsettled, tumultuous era we have inherited.

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After the Beautiful

Hegel and the Philosophy of Pictorial Modernism

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