Carte After-Dinner Conversation Kelly Washbourne

After-Dinner Conversation

The Diary of a Decadent

Limbă: engleză
Legare: Carte broșată
Disponibilitate: În depozitul extern
Expediem în 9-15 zile
158.18 lei
Lost in a shipwreck in 1895, rewritten before the author's suicide in 1896, and not published until...

Informații despre carte

Limbă
engleză
Legare
Carte - Carte broșată
Publicat
2005
Pagini
270
EAN
9780292709799
ISBN
029270979X
Enbook ID
04872563
Greutate
445
Dimensiuni
140 x 216 x 19

Descriere completă

Lost in a shipwreck in 1895, rewritten before the author's suicide in 1896, and not published until 1925, Jose Asuncion Silva's "After-Dinner Conversation" (De sobremesa) is one of Latin America's finest fin de siecle novels and the first one to be translated into English. Perhaps the single best work for understanding turn-of-the-twentieth-century writing in South America, "After-Dinner Conversation" is also cited as the continent's first psychological novel and an outstanding example of modernista fiction and the Decadent sensibility. Semi-autobiographical and more important for style than plot, "After-Dinner Conversation" is the diary of a Decadent sensation-collector in exile in Paris who undertakes a quest to find his beloved Helen, a vision whom his fevered imagination sees as his salvation.Along the way, he struggles with irreconcilable urges and temptations that pull him in every direction while he endures an environment indifferent or hostile to spiritual and intellectual pursuits, as did the modernista writers themselves. Kelly Washbourne's excellent translation preserves Silva's lush prose and experimental style. In the introduction, one of the most wide-ranging in Silva criticism, Washbourne places the life and work of Silva in their literary and historical contexts, including an extended discussion of how "After-Dinner Conversation" fits within Spanish American modernismo and the Decadent movement. Washbourne's perceptive comments and notes also make the novel accessible to general readers, who will find the work surprisingly fresh more than a century after its composition.

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