Third Person: Authoring and Exploring Vast Narratives

Autor: 
Limba: 
english
Tip copertă: 
Moale
Număr de pagini: 
492
Narrative strategies for vast fictional worlds across a variety of media, from World of Warcraft to The Wire.The ever-expanding capacities of computing offer new narrative possibilities for virtual wo ...Descriere completă
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ISBN9780262533799
AutorHarrigan Pat
EdituraMit Pr
Limbaenglish
Tip copertăPaperback
Anul publicării2017
Număr de pagini492

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Narrative strategies for vast fictional worlds across a variety of media, from World of Warcraft to The Wire.The ever-expanding capacities of computing offer new narrative possibilities for virtual worlds. Yet vast narratives--featuring an ongoing and intricately developed storyline, many characters, and multiple settings--did not originate with, and are not limited to, Massively Multiplayer Online Games. Thomas Mann's Joseph and His Brothers, J. R. R. Tolkien's Lord of the Rings, Marvel's Spiderman, and the complex stories of such television shows as Dr. Who, The Sopranos, and Lost all present vast fictional worlds. Third Person explores strategies of vast narrative across a variety of media, including video games, television, literature, comic books, tabletop games, and digital art. The contributors--media and television scholars, novelists, comic creators, game designers, and others--investigate such issues as continuity, canonicity, interactivity, fan fiction, technological innovation, and cross-media phenomena. Chapters examine a range of topics, including storytelling in a multiplayer environment
narrative techniques for a 3,000,000-page novel
continuity (or the impossibility of it) in Doctor Who
managing multiple intertwined narratives in superhero comics
the spatial experience of the Final Fantasy role-playing games
World of Warcraft adventure texts created by designers and fans
and the serial storytelling of The Wire. Taken together, the multidisciplinary conversations in Third Person, along with Harrigan and Wardrip-Fruin's earlier collections First Person and Second Person, offer essential insights into how fictions are constructed and maintained in very different forms of media at the beginning of the twenty-first century.

 

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